10 Foreign Films that Hollywood should stay clear of and not remake

Below are a list of films that thrived in their chosen country of release, Hollywood recently has ran out of ideas for original films and instead they have either expanded the superhero genre or recycled the same Disney analogy over and over.

The following films should remain untouched by Hollywood or if they are to be remade should be remade correctly and stay true to the craft of the original film, Notable mentions that were made well include “The Girl with the Dragon Tattoo”  “The Departed” (Infernal Affairs), “Insomnia”, “Vanilla Sky”..

Here are the great ten that should not be remade:

1.    “Hodejegerne” Headhunters (2011)  Country of origin: Norway

headhhdAn intense action thriller featuring Nikolaj Coster-Waldau (Jamie Lannister from Game of Thrones), it follows a skilled head-hunter who also acts as a thief stealing valuable pieces of art, but when one heist goes wrong he is hunted by a former mercenary in what becomes a thrilling cat & mouse game. If there is an American adaption it shouldn’t steer away from the original storyline but stay true to the action brilliance of this film.

2. “Cidade de Deus” City of God (2002) Country of origin: Brazil


This masterpiece from Brazil follows the lives of teenagers who grow up in a violent neighbourhood of Rio De Janeiro, what ensues in their coming years is some of the most intense scenarios ever, beautifully shot, this film should remain timeless as it is, I know most of you agree but there is a little curiosity if there is to be a remake, there certainly has been similar films like this but a direct remake should remain off the cards,A masterpiece of modern filmmaking.

3. “Kung-Fu Hustle” (2004) Country of origin: China & Hong Kong

kung-fu-sokagi-izleFeaturing some of the most outlandish and exciting fight sequences, this outrageously entertaining film from Stephen Chow showcases gangsters at wars with residents of small housing complex, highly fantastic, this is one that should remain untouched and if you haven’t seen it already I highly recommend.

4.Amelie” (2001) Country of origin: France

le-fabuleux-destin-d-amelie-poulain-originalIf you have seen Amelie you can argue that this film cannot be remade into any other language, and a Hollywood version should no way be in contention, this brilliant film should remain untouched, it is unique in its own form and an American version should no way be even considered.

5.“Shichinin no samurai” “Seven Samurai” (1954) Country of origin: Japan

Film_2w_SevenSamuraiAlthough a remake has been green lit for next year, it is a very bad move on Hollywood’s part, a sort of remake was made as a western “The Magnificent Seven” but a direct remake should not even be contemplated, considered to be director Akira Kurosawa’s greatest work, if a remake should be made, it should be a tribute and instead of adapting to Hollywood, notable Japanese directors should take the helm if they wish to touch a significant film such as this one.

6.La Haine” (1995) Country of origin: France

la_haine_3Quite possibly one of the most intense French films ever made, it stars a young Vincent Cassel as a youth along with two others that explore Paris in 24 hours, it takes place in riots between citizens and the police. With more recent events taking place around the world, it is easy to see why Hollywood would want to remake this, jumping at the opportunity to adapt it in the modern times during the escalating protests taking place around the world; the whole film takes place in black & white but set during the present time, this does not take away the pure intensity, a classic that has to be seen and felt.

7.“El secreto de sus ojos” “The Secrets in their Eyes” (2009) Country of origin: Argentina

The-Secret-in-Their-Eyes--006A mystery thriller which takes over a number of years in which a detective goes back to solve an unresolved case which brings to light more than he could have anticipated, beautifully shot with an air of mystery & suspense, it would be easy to see why Hollywood would want to tackle a challenge like this one, if done right this could be a great crime remake, the main focus throughout the film are the eyes of each character along with the incredible detail of its brilliant plot.

8. “Ichi The Killer” (2001) Country of origin: Japan

ichi_killer_poster_05[1]Now here is a film that I know for a fact that Hollywood would not even touch due to its extreme graphic nature, Hollywood at best would cut most of the scenes in this brilliant film to even gain an R-Rating (18 UK).

For those who have seen it time and time again, you can argue that you don’t even wish for this film to be remade and also would argue how Hollywood would even tackle this project, Anything outside of United States does not even care if their films are not marketed extensively, some purely rely on word of mouth to reach its cult status, Ichi the Killer is such of a film that has no chance of an English remake.

9.Metropolis” (1927) Country of origin: Germany

metropolis1This sci-fi masterpiece was an absolute landmark when it was released even looking back at it now the pure futuristic setting is one to behold, a massive challenge that was undertaken by Fritz Lang, it would be ridiculous to consider a remake of it because one would take away its significance and would not look modern at all, a Japanese animation of Metropolis was released in 2001 but Hollywood should not go for a remake due to its original importance nearly 90 years ago, a ground-breaking achievement.

10. “Akira” (1988) Country of origin: Japan

Akira-Poster-akira-13827694-1013-1500One of the most important anime films of all time, a lot would argue that this film should not even come close to a Hollywood remake, its sheer complexity in animation should reinforce it as such, some of the scenes witnessed in this film is fantastic to the spectator, although studios have been trying hard to adapt into a live action film, time and time again it has been shut down, maybe even for the greater good, but it is not long before we do see a Hollywood remake whether we like to or not, I for one would not want to.

The enormous size of such of these films should be handled with care, and a remake must stay honest to its originality, in order to do so, studios must take on creative consultants of the original films and they must try their absolute best not to steer far away from their fundamental narrative only then a remake is worthy of the film’s tribute.

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Christopher Nolan The Master of the Modern Film Noir

There are few film directors today that have defined a decade of filmmaking, films which ignite debates and where moments are repeated by both word and image, Christopher Nolan has showcased in his own idealistic style why he is important to the film industry, and why he is vital in the survival of how films are made and how they become eternal through time.


His first full feature length film Memento intertwines mystery and suspense, what Nolan chooses to do with it? – Have the film go non-chronological of course, he isn’t your conventional film director, he is what an author would be if a book was written while been filmed at the same time.

Contributing to screenplays as well as his directorial prowess, Memento gives the audience and the individual spectator a chance to participate in the film and solve the case as well as the protagonist Leonard played by Guy Pearce in the film, a character lost and confused while he tries and finds out who murdered his wife. Memento showcases the very best of Early Nolan and does it on a heavyweight scale even though the budget was under nine million dollars. The film takes us on a gripping journey in which we try and solve but Nolan being Nolan don’t expect an easy ending for a twist is always around the corner with this influential director.

Just two years after Memento was released Nolan follows up with another mystery starring Al Pacino & Robin Williams, an unconventional cast Nolan makes the most of it and delivers a great thriller based on the remake of the same name Insomnia.

A detective thriller set on a slightly bigger scale remade into a Nolan style, it has its moments of Nolanism with its twist and turns and brilliant still camerawork, Nolan manages to pull off a great remake of the same name of the 1997 Norwegian thriller while using two great actors side by side of Pacino and Williams.

For three years the director remained absent in Hollywood, he had picked up a project to reboot, a superhero series, a series that had been made well before in the past with Burton at the helm but Nolan wanted to offer his touch to it and deliver a momentous superhero trilogy that would remain untouched and locked in the memory as one of the finest superhero trilogies ever made.

2005 the year and so it had begun, Batman Begins showed what Nolan had in store for us, offering his noir and mysterious touch in his previous features, although it had made the least money out of the three films in the trilogy it had paved the way of something big to come, something much much bigger.


People were sceptical at first that another Batman film was in the works but Nolan had shown us on screen that this trilogy was his, that he would own these films with his cemented directorial style, encompassing drama, action, suspense and mystery, The film had portrayed Batman as a detective who showed justice while knowing various martial arts techniques, Gotham was dark and gritty and the cast was perfectly picked to deliver a first class first part of a trilogy that would start something great prodigious.

After this The Prestige followed Nolan’s directorial feature timeline, a film that showed magicians at war, both Christian Bale and Hugh Jackman were brilliant in the roles as deceiving and mysterious individuals and this film came with plenty of twists and turns, Michael Caine also remained a loyal counterpart in his second appearance of five to come in Nolans later films.

Just when we thought the art of magic was an easy going occupation Nolan showed us all the darker and clandestine elements of it, set in London in the 19th century it shows the hunt and execution of the ultimate illusion and our hunt for the ultimate discovery in a film that would challenge us in its deception and enigmatic dexterity.


One of Nolan’s very strong efforts and his oldest films in terms of its established timeline, Nolan had shown us a London in the 1900’s a very different one at that and with magicians at the epicentre of it he had delivered a durable, brilliant mystery while incorporating factual settings and Nolan being Nolan again challenges the audience to discuss the film in more detail, and to come up with their own conclusions and explanations. (It’s just what he does!)

After a two year break from directing, in that time since The Prestige Nolan had been working on a film that would launch him into the stratosphere and establish him and this film as a monumental achievement in terms of both comic book to film and how superheroes films were to be made today.

The Dark Knight which was Nolan’s fifth feature film paved the way, the film had become an instant game changer in terms of how comic books would be made into films, it had featured a great mystery within the film and a brilliant but dangerous cat and mouse (Bat & Joker) game with The Joker & The Batman, never before had such a film drifted so much attention away from the protagonist. Heath Ledger’s portrayal easily challenges Nicholson’s but bearing in mind these films were made at different periods and different styles but also a different approach to the character.

Nolans Dark Knight resembled a graphic novel and a mysterious one at that, it had participated the audience and challenged responses and debates about the film, it had become a film that you could never tire from, and Nolan had put his stamp down in his own directorial heavyweight style, the directorial brilliance of this film had enhanced the characters in every sense making them stand out of the screen especially the manipulative, sadistic Joker.


When a director transforms an actor into an unrecognizable one that’s when you know he had performed his duty, and in this case there is absolute no exception. A momentous and astonishing comic book feature that would bring and set up a brilliant finale to a great trilogy but the second in the trilogy still remains the greatest superhero film of all time.

Inception which challenged the full idea of the origins of dreams as well as the subconscious mind was Nolan’s heist film in a way but in the case of Nolan it was an enriching and perplexing experience in the greater sense that made for repeat viewing.

A great cast as always in the case of Nolan films this film had mastered the idea of searching within your dreams and taking control of them, manipulating them to your advantage and gain. Sure we had seen films made from dreams in the past but not in the great and magnitude of a scale, Nolan had a massive budget to work with but he used it well and again he had challenged the audience with a brilliant ending that would spark again a debate amongst people, its Nolan loves to do, leave it to the audience to decide what happened.


Inception was a mystery pushed to the full, a mystery on a brilliantly large scale that showed us an imaginative and wondrous world created from our minds or in this case Nolan’s mind. Lucid dreaming plays an important part in this film which is the ability to control your own dreams as you become aware in them, the feature had questioned our own ability in dreams and had made us research the origins of them, what truly makes us project these realistic illusions and portrayals of our minds and what would they look like on the big screen, Nolan had shown us an epic mystery feature that would again challenge our ability to handle yet another fantastic Nolan feature.

The time had become to experience a finale with the Batman trilogy being the first of Nolan’s creation, he had made fantastic films in between and he would set up a great finale featuring one of the darkest comic book heroes.

The Dark Knight Rises which came out in 2012 saw the end of the Batman franchise or the Batman reboot, Nolan knows great casting and in this film he had cast Tom Hardy as Bane shown in his previous film Inception, but Tom Hardy had been transformed into a brilliant and clever monster.

This would be regarded as the blockbuster Nolan film and Hollywood had now taken attention of his true directorial power, this film featured a large scale explosion as seen on the trailer but not seen in previous Nolan films, the only thing I would remember is the car chase scene in The Dark Knight, but in my opinion The Dark Knight Rises had been a fitting finale incorporating Nolan’s idealistic and brilliant directorial touches, he had created a brilliant trilogy that would remain immortal and untouched until someone decides to reboot Batman yet again, which I don’t see happening for a while.


Christopher Nolan’s next feature film will come in a years’ time out in 2014, Interstellar which is an examination of scientist Kip Thorne’s theories of gravity fields, as well as other numerous theories that Einstein couldn’t prove, but before all that we would all witness how he approaches Man of Steel  as a writer and producer we will certainly see shades of Nolan but not being a director in this film we can’t help but feel the inspiration that will emerge from him within this film.


Christopher Nolan has remained an influential figure in the master class of filmmaking and his films are proof of that, he has created an outstanding feel to his films, ones that intrigue and challenge us, no doubt in my mind that he is one of the best directors in the world right now and we cannot wait to see what vivid, dazzling and magnificent films he has in store for us next, In just fifteen years he has become a name in Hollywood that most directors both established and up and coming seek to aspire too, a glorious filmmaker, writer and storyteller.

“But I have been interested in dreams, really since I was a kid. I have always been fascinated by the idea that your mind, when you are asleep, can create a world in a dream and you perceive it as though it really existed…”

-Christopher Nolan