10 Foreign Films that Hollywood should stay clear of and not remake

Below are a list of films that thrived in their chosen country of release, Hollywood recently has ran out of ideas for original films and instead they have either expanded the superhero genre or recycled the same Disney analogy over and over.

The following films should remain untouched by Hollywood or if they are to be remade should be remade correctly and stay true to the craft of the original film, Notable mentions that were made well include “The Girl with the Dragon Tattoo”  “The Departed” (Infernal Affairs), “Insomnia”, “Vanilla Sky”..

Here are the great ten that should not be remade:

1.    “Hodejegerne” Headhunters (2011)  Country of origin: Norway

headhhdAn intense action thriller featuring Nikolaj Coster-Waldau (Jamie Lannister from Game of Thrones), it follows a skilled head-hunter who also acts as a thief stealing valuable pieces of art, but when one heist goes wrong he is hunted by a former mercenary in what becomes a thrilling cat & mouse game. If there is an American adaption it shouldn’t steer away from the original storyline but stay true to the action brilliance of this film.

2. “Cidade de Deus” City of God (2002) Country of origin: Brazil


This masterpiece from Brazil follows the lives of teenagers who grow up in a violent neighbourhood of Rio De Janeiro, what ensues in their coming years is some of the most intense scenarios ever, beautifully shot, this film should remain timeless as it is, I know most of you agree but there is a little curiosity if there is to be a remake, there certainly has been similar films like this but a direct remake should remain off the cards,A masterpiece of modern filmmaking.

3. “Kung-Fu Hustle” (2004) Country of origin: China & Hong Kong

kung-fu-sokagi-izleFeaturing some of the most outlandish and exciting fight sequences, this outrageously entertaining film from Stephen Chow showcases gangsters at wars with residents of small housing complex, highly fantastic, this is one that should remain untouched and if you haven’t seen it already I highly recommend.

4.Amelie” (2001) Country of origin: France

le-fabuleux-destin-d-amelie-poulain-originalIf you have seen Amelie you can argue that this film cannot be remade into any other language, and a Hollywood version should no way be in contention, this brilliant film should remain untouched, it is unique in its own form and an American version should no way be even considered.

5.“Shichinin no samurai” “Seven Samurai” (1954) Country of origin: Japan

Film_2w_SevenSamuraiAlthough a remake has been green lit for next year, it is a very bad move on Hollywood’s part, a sort of remake was made as a western “The Magnificent Seven” but a direct remake should not even be contemplated, considered to be director Akira Kurosawa’s greatest work, if a remake should be made, it should be a tribute and instead of adapting to Hollywood, notable Japanese directors should take the helm if they wish to touch a significant film such as this one.

6.La Haine” (1995) Country of origin: France

la_haine_3Quite possibly one of the most intense French films ever made, it stars a young Vincent Cassel as a youth along with two others that explore Paris in 24 hours, it takes place in riots between citizens and the police. With more recent events taking place around the world, it is easy to see why Hollywood would want to remake this, jumping at the opportunity to adapt it in the modern times during the escalating protests taking place around the world; the whole film takes place in black & white but set during the present time, this does not take away the pure intensity, a classic that has to be seen and felt.

7.“El secreto de sus ojos” “The Secrets in their Eyes” (2009) Country of origin: Argentina

The-Secret-in-Their-Eyes--006A mystery thriller which takes over a number of years in which a detective goes back to solve an unresolved case which brings to light more than he could have anticipated, beautifully shot with an air of mystery & suspense, it would be easy to see why Hollywood would want to tackle a challenge like this one, if done right this could be a great crime remake, the main focus throughout the film are the eyes of each character along with the incredible detail of its brilliant plot.

8. “Ichi The Killer” (2001) Country of origin: Japan

ichi_killer_poster_05[1]Now here is a film that I know for a fact that Hollywood would not even touch due to its extreme graphic nature, Hollywood at best would cut most of the scenes in this brilliant film to even gain an R-Rating (18 UK).

For those who have seen it time and time again, you can argue that you don’t even wish for this film to be remade and also would argue how Hollywood would even tackle this project, Anything outside of United States does not even care if their films are not marketed extensively, some purely rely on word of mouth to reach its cult status, Ichi the Killer is such of a film that has no chance of an English remake.

9.Metropolis” (1927) Country of origin: Germany

metropolis1This sci-fi masterpiece was an absolute landmark when it was released even looking back at it now the pure futuristic setting is one to behold, a massive challenge that was undertaken by Fritz Lang, it would be ridiculous to consider a remake of it because one would take away its significance and would not look modern at all, a Japanese animation of Metropolis was released in 2001 but Hollywood should not go for a remake due to its original importance nearly 90 years ago, a ground-breaking achievement.

10. “Akira” (1988) Country of origin: Japan

Akira-Poster-akira-13827694-1013-1500One of the most important anime films of all time, a lot would argue that this film should not even come close to a Hollywood remake, its sheer complexity in animation should reinforce it as such, some of the scenes witnessed in this film is fantastic to the spectator, although studios have been trying hard to adapt into a live action film, time and time again it has been shut down, maybe even for the greater good, but it is not long before we do see a Hollywood remake whether we like to or not, I for one would not want to.

The enormous size of such of these films should be handled with care, and a remake must stay honest to its originality, in order to do so, studios must take on creative consultants of the original films and they must try their absolute best not to steer far away from their fundamental narrative only then a remake is worthy of the film’s tribute.

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David Fincher The Complex Charismatic Hypnotic

In today’s modern films there are a few directors that excel in their craft and how they approach several style of films while leaving their mark upon them, continuing the directors showcase we take a look at our third director, an individual who stylizes his films ever so delicately along with his smooth camera work, taking a look at David Fincher and how he can make the complex flow so well and entertain at the same time.


Taking a look at his feature films and also some music videos and commercials where he first started applying his dexterity, a delicate and balanced director, his sharp camera skills along with their desired shots perfectly emphasize the meaning and plot of his chosen project in which he has undertaken.

Having worked alongside musical artists such as Madonna for her “Vogue” video, Michael Jackson’s “Who Is It” amongst several others, this is where David Fincher first started in music videos, his approach was unique to tell the least, telling a story in each of his videos as well as the chosen songs adapting very well to the videos, he would soon move on and tackle his first project a third part in a sci-fi franchise- Alien 3.

The film was not very well received with critics and was not the strongest film of the sci-fi film series, Fincher simply said he hated working on it, a quote from The Guardian newspaper read, “”No one hated it more than me; to this day, no one hates it more than me.”  The film Alien 3 would not be a memorable one for the chronology but his presence would truly be felt with his next project, an intense crime & psychological thriller- “Se7en”.

David Fincher would take us on a dark journey about a serial killer who is motivated to kill from the seven sins, with all his crimes and activities acting as his mode of operations, the detectives played by Brad Pitt and Morgan Freeman form a great partnership on screen and truly apply their detective skills to the test hunting down the menacing  killer in a dark and rainy environment, Se7en a sinister and extremely dark thriller,  we would begin to slowly see the emergence of the “Fincher Thriller”  beginning to make its entrance, the film was successful in the box office both domestic and international.


The film would feature a climactic finale scene with the infamous question that Brad Pitt asks of “What’s in the box?” , the studio did not originally want to put this scene in but Brad Pitt  stated that he would leave if they did not feature this scene, the scene would amalgamate and bring to a close a tense and brilliant thriller which truly paved the way for David Fincher.

Up next the psychological thriller “The Game” which featured Michael Douglas as someone who receives a mystery gift from his brother Sean Penn a live action game which consumes his life and makes him question his reality of what is real and what is featured within the game itself.


We are also taken along for the ride but we wish that it was not us who received the gift as we slowly see his character slowly begin to deteriorate mentally as well as physically. There is of course the dark Fincher tone with many of his overall films as well as great twist in the end, but you cannot help but feel sorry for the protagonist and the environment in which he has been forced in to participate in a sinister and unbearable game.

Two years later Fincher would tackle one of his most ambitious projects yet, where he would adapt Chuck Palahniuk’s Fight Club” on the big screen. The film would be famous for not doing well at the box office but after being alienated by the audiences it would become an instant cult classic when it was released on DVD.

This could have been major factors influencing it when it first was released, mainly because it was quite progressive when it came out and other films at the time performed much better at the box office, but it cannot be helped that once it came out on DVD it had become a monster of a film hit.


The directorial astonishment of Fincher was truly felt, featuring amazing camera shots and shocking scenes along the way, it had created a massive following, from start to finish this feature was hugely entertaining and it drew us into the world of mysterious characters of Tyler Durden & The Narrator both extremely opposite in their own way but with a mutual goal of starting a revolution through a fight club they both help create in some form. With its humorous and dark tones this would certainly be one of Fincher’s strongest results in creating a great adaption to an already brilliant novel but also an extremely notable unique film that was undertaken valiantly by David Fincher.

Dealing with the aftermath of a massive success of “Fight Club”  three years later in 2002 Fincher would make the claustrophobic and tense thriller (a theme being created already) “Panic Room”.

This would become a mainstream thriller as Fincher would describe it, and one for the wide audience to watch, a suspenseful film to say the least starring Jodie Foster and Kristen Stewart as the mother and daughter trapped in the panic room of their house while three criminals were looking for a fortune. The action is brilliant and Fincher did so well to contain it in a limited space.


This film would deal for the first time in Finchers films as having a female lead as its central character, nothing that his previous film had done. After being three years since he released a feature film this would be a good effort as Fight Clubs success was still echoing and would still yet to echo for years to come. “Panic Room”  was great in the sense of a limited thriller with the whole duration of the film set in one specific environment and a good job at that.

His next film feature which was also an adaption of Robert Graysmith’s book, would come five years later in 2007 with “Zodiac” a film based on the book and the infamous Zodiac killer who’s case became famous in the 1970’s. The film deals with three detectives as they become attached and obsessed with the case.

This would become Fincher’s longest film by far in terms of duration, a brilliantly detailed film which also acts as a long case in the years that pass within the film. Having been well received by critics it did not do well in the box office domestically but well internationally. This was a large scale film having been shot digitally and featuring a well-known cast in Jake Gyllenhaal, Mark Ruffalo, Robert Downey, Jr and Brian Cox.

The actors played their part well and throughout the film David Fincher captures brilliantly how this killer has affected them mentally and physically as well having exhausted them to find him. The film flows well and has always the dark tone of Fincher and makes the spectator want to find out how well this case was projected on the screen and if you don’t know anything about the case of the Zodiac killer, you will be given an excellent story that will make you want to learn more about it.

The next film would see David Fincher receive a staggering 13 Academy Award ®

nominations in his 2008 film “The Curious Case of Benjamin Button” an adaption of F. Scott Fitzgerald’s short story which would see the film stretch in just under three hours.

The epic scale of it would see the remarkable story of the protagonist played by Brad Pitt age backwards while being involved in some extraordinary situations and global travels. There is an air of mythical and haunting themes as Fincher tackles the world of fantasy and history, the film’s huge budget of $150million was mainly used for the CGI and also for the aging process of the protagonist.

All in all there is something beautiful and rich in this film that is much lighter to all of Fincher’s previous films, he truly takes us on a journey and helps us discover who truly is Benjamin Button and his bizarre gift not so much a disease, for a short story David Fincher made the most of its vast and picturesque richness.

Next would come one of Fincher’s most award winning of films in the 2010 release of “The Social Network”  about the beginning and creation of Facebook as well as the legal battles that ensued from it.

David Fincher had a great collaborator to work with on this film the brilliant writer Aaron Sorkin, the flow of his script as well as the brilliant direction of Fincher made this film emanate very delicately, it was the first time that David Fincher felt he could truly trust in Aaron Sorkin as this duo was projected on the screen helping the film win 3 Bafta Awards, 4 Golden Globes and 3 Oscars.

The result was apparent in the brilliant writing of Sorkin and how the director had chosen to take on this truly ambitious and controversial project, Jessie Eisenberg doing a fine job as Facebook’s creator Mark Zuckerberg, the cast looked very comfortable in their roles knowing there was a great leader guiding them behind the camera.

Up until then Fincher would take on an equally grand project as he would undergo adapting the very successful “The Girl with the Dragon Tattoo” and for me there was only one director that could tackle this suspenseful and mysterious thriller.

With the brilliant music composition of Trent Reznor accompanying this great adaption I had seen the original Swedish version previously and Fincher does not miss a beat, it felt as though the film was not even for Hollywood as it felt intense, even for an R Rating (18 in UK), It is a harsh, gritty, and rough cinema viewing.

Girl_With_The_Dragon_Tattoo_2This was Fincher’s playground, and I believed he faced no challenges in adapting this, he made this film his own and the actress portraying the protagonist female of Lisbeth Salander played by Rooney Mara approached the role very well with the guidance of Fincher. I would be surprised if Fincher is not chosen to direct the next two that fulfil this films trilogy and I will have no doubt in my mind, as a director David Fincher can deliver on intense and nail-biting thrillers.

David Fincher would then go on to become an executive producer for the political thriller series starring Kevin Spacey “House of Cards”. Although he would only direct the first two episodes, his effect was felt in the oncoming episodes of the series, we can only hope season 2 was as gripping and brilliant as the first.



He is a director that can make the seemingly complex seem feasible, through the environments in which he adapts in his films he can create a dark and imaginative world where you can exist and be afraid & entertained at the same time for this is truly one of his directorial aspects, to make film audiences seem uneasy while slowly drawing them in his world.

tumblr_mcx8l9tSR81rhmne4o1_1280For he has a charismatic gift of making audiences have a real experience when watching his films through his great selection of camera shots and his approach to characters that exist within his chosen setting along with his established atmosphere he wishes and does achieve.

“A movie is made for an audience and a film is made for both the audience and the film-makers.”

– David Fincher

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