About thdirectorschair

I'm a film graduate student with interests in photography, music and creating new ideas. I have a wide film knowledge and I listen to several music genres. My passion is to create and see ideas come to life...

Alejandro González Iñárritu The Poet of Fluid Motion

A far while back I started a showcase on the 23 best film directors working in the industry today, in this article I will study the impact of of Oscar winner Alejandro González Iñárritu.
An immersive director with an exceptional portfolio of masterful work all with one characteristic in common, impact, an impact to astound, to dramatize to a substantial degree and shock with selected great camera work.

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The director in question started out with two shorts before moving on to his first feature film and undoubtedly his greatest work ‘Amores Perros’.

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Released in the year 2000 it told three intertwining stories about love, loss and dogs, but not in the way some people may think, Alejandro left the shock factor in for all to see, depicting some extremely graphic scenes that I cannot mention due to the spoiler of the film and its main plot, but within the film one substantial event causes the catastrophic drive that immerses all three prime characters, he explored how love could cause people to act in certain ways, this isn’t exactly a romantic comedy, it’s as harsh as a tragic drama can be, its reality, so distressing you may even forget you’re watching a film at all but witnessing an unrelenting feature which launched Alejandro in the limelight in his chosen continent of South America, the feature of real life.
Three years later came his first Hollywood feature film starring Sean Penn, Naomi Watts and Benicio Del Toro, ’21 Grams’ told the story of a fateful accident which brought together these three people. A prime feature of Inarritu is combining characters and using them very well to drive a plot of a film, the unique factor of this film is that it was shot purely from hand held cameras in chronological but the final cut itself is not even chronological, which perfectly displays the prowess of storytelling by the director. Not quite as shocking as his previous feature back in 2000 but still as distressing, which is a phenomenal characteristic of the creative, truly magnifying the pain of the actors on screen to produce an engrossing feature such as ’21 Grams’ the title itself is taken from the work of Dr. Duncan MacDougall in the early twentieth century, he measured several dying objects portraying that the soul weighed 21 grams. There is certainly soul in this feature of Alejandro’s and it is a must watch for anyone who has not seen it.

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In 2006 ‘Babel’ was released, featuring notable cast members including Brad Pitt, Cate Blanchett and the award winning Mexican actor Gael Garcia Bernal. The film tells the story of a tragedy which has an impact on four different families. Inarritu manages yet again to connect the lives of people across four different continents which in this film include North and South America, Asia and the Middle East, what is in fact interesting about this film is how seamlessly strangers can connect through harsh circumstances, yet again reflecting reality as part of the directors art, that is the impression that this director gives and the results he produces in this film are superb, it is not certainly a weak film from him but one he could have elaborated more on, take nothing away from him, still masterful from the Mexican artist.

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BABEL, Director Alejandro Gonzalez Inarritu, Brad Pitt, on set, 2006. ©Paramount Classics

Just four years later came his first work focusing solely on one main protagonist, the film ‘Biutiful’ which starred Javier Bardem in what is perhaps one of his best ever roles since his Oscar winning one in ‘No Country for Old Men’ back in 2008.

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Set in Barcelona it tells the story of Uxbal played by Bardem as he struggles to deal with his crumbling life around him, the more and more we delve into his character the scarier we see the spiral that is surrounding him and the effect it has on those around him. The film was also written by Inarritu so it gives him the extra emotion to truly amplify his importance both in dialogue spoken and camera work selected for true substantial effect, quite definitely worth a watch but can be very unsettling for those not used to the directors’ style.

Birdman’ followed next in 2014 which earned him his first Oscar and propelled him into the Hollywood limelight, the same effect it had on Alfonso Cuaron when he made ‘Gravity’.

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To be honest it is not certainly his best work but it is a distinctive piece of work for the actors he chose to be in it, it’s quite unconventional to say the least following a Murphy’s Law-esque type of approach of anything that can go wrong does. I did enjoy this film in the sense its certainly the most comic one he has done, Alejandro may not be famous for this genre of film type as drama does exist in this film too with a hint of surrealism, his relationship with Michael Keaton worked very well, thrusting Keaton further and using his Batman background as groundwork for this film and an homage too. The relationship and chemistry of the actors on screen is brilliant also, using the theatre both front and back of house to drive the plot of the film along with the disastrous results that come from it.

Already a glowing portfolio Alejandro G Inarritu had one more name to cross of his list of having worked with, and who better than one of the greatest of his generation Leonardo DiCaprio in ‘The Revenant’.

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Inarritu wanted to reflect a new reality, a new harsh truth on screen and its poetry that his films had made on the past, with this film he utilised that to its fullest every effect, putting not just the protagonist but the entire personnel who worked alongside him in this film through their paces and making them suffer but always with an extraordinary outcome in mind.

Working alongside a great cinematographer too in ‘Emmanuel Lubezki’, Inarittu showed us some spectacular scenery and natural lighting to fully immerse us in the novel of Hugh Glass and his vicious bear attack as well as his vengeance and survival. This is certainly one of his greatest efforts, unquestionably in his top three films, with this feature he managed to create an astonishing experience while draining the life out of DiCaprio, it was brutal, malevolent and exponential.

Alejandro Gonzalez Inarittu manages to get the best out of the talent he works with, not only that he manages to make them go beyond, which makes him go beyond his vision and consciousness, his auteur style can be identified from a large distance, his portfolio of films tell us this, his poetry within them, their raw emotions, their harsh truths and distressing depictions the directors stories he has chosen to showcase on screen, an absolutely meticulous artist that still has saved his greatest work for last I am sure, a shining example to aspiring directors who wish to apply poetry to moving art in motion.

“When we are looking for validation that will never satisfy us, when we are looking for affection, for love, a little bit of that will be enough to be complete..”

 

– Alejandro Gonzalez Inarittu

 

 

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The Raid: The Defining Action Trilogy of the Decade

Very few action films come along that seldom live in the memory of the cinema and film spectator, there are some that captivate us with extraordinary sequences, some that have great antagonistic face offs, and others that remain immortal, The Raid may just tick all those boxes.

the-raid-posterBack in 2011 Welsh director Gareth Huw Evans released an action film with a similar structure to that of Die Hard, we do not think of it at all as plagiarism but rather taking that inspiration and amplifying it to the superlative maximum. Perfect choreographed fight scenes kept us glued to the screen while at the same time driving a plot in a frenetic and organized direction, the actors themselves were tremendously dedicated to their craft, which very rarely Hollywood actors do in terms of action sequences, the Indonesian production of The Raid allowed Evans to have total control which he executed brilliantly.

Films like Die Hard, Face/Off & Hard Boiled all shared one thing in common in terms of how genres of action should be made, it’s that their chosen plot was very well balanced with action sequences and character development; this is what Evans has shown superbly and in even more greater detail in The Raid 2.

the-raid-2-posterWith almost an hour longer than its predecessor, the sequel takes place moments after the events of the first, with a much wider expansive world, plenty more characters that can fight, shed blood, cause destruction which produces sequences that make almost any modern action film seem like child’s play.

Gareth Evans took what he learned from his first masterpiece and cranked the volume to a level that will make heads implode, and that’s what you get when you witness an action film of such sheer magnitude.

The-Raid-2-3-Connections-StoryThe plot flows even more smoother and with even more detailed action than ever before, you just wonder what he has in store for the 3rd and perhaps final part of this blockbuster trilogy, with Tony Jaa rumoured to be included, filming and development will not begin till 2018 or 2019 according to Gareth Evans.

the-raid-2-gareth-evansWhat these two films did so vividly is attention to exponential detail in terms of action and characters, Gareth Evans trusted his cast so much that they definitely showed their loyalty, the result is on the screen, both films already looking to become instant classics, but with the third looming over the horizon and waiting to be released you just wonder if The Raid trilogy will be a significant benchmark in the rebirth genre of action filmmaking.

10 Spoof Comedies That Redefined the Comic Genre

A spoof comedy by definition is a film that parodies other films or genres, they are works that are created by imitation of the style of many different films reassembled together.

Below are some of the most memorable and brilliant ones that also gave comedy a visual and hilarious style.

1. Airplane! (1980)

airplane-1980-cockpitHailed as one of the greatest comedies ever made, this entertaining filled movie features an outrageous plot and memorable catchphrases, it is certainly one of the more smarter and outlandish films, full of laughs & great comic performances, in my opinion the benchmark standard for comedy spoofs.

2. The Naked Gun (1988)

Naked-GunThis was originally a TV series that later became a feature film trilogy , Leslie Nielsen gives a landmark performance as Lieutenant Frank Drebin, One of the first comedies I watched growing up and I laughed as hard back then as I do today, a classic.

3. The Naked Gun II (1991)

Naked Gun 2___The Smell of FearFrank Drebin does it again with the help of the iconic spoof team of David Zucker & Jim Abrahams, a worthy sequel that features great laughs yet again, sadly the third did not make it, but still a worthy mention.

4. Top Secret! (1984)

movie titleOne of Val Kilmer’s first films, he plays an American rock and roll singer who becomes involved in a Resistance plot to rescue a scientist imprisoned in East Germany, the same team consisting of Zucker and Abrahams provide us a with a parody of WWII movies with memorable scenes and laugh out loud scenarios, highly recommended if you haven’t seen it, comic brilliance.

5. Blazing Saddles (1977)

bzAn outstanding Western parody,  Blazing Saddles is a film that takes us back to a more innocent era, An era where PC was just a couple of letters stuck together. The film provides an endless stream of laughter, and if you watched you would understand the hilarity and parody of it, and you could forget about a remake, not in this day and age.

 

6. Spaceballs (1987)

spaceballs_blu-ray_hdrAfter the first Star Wars Trilogy Episode IV-VI,  and before the Family guy remakes, Spaceballs was the first film of its kind to rip into Star Wars, featuring a great cast of John Candy, Rick Moranis, Mel Brooks and others, it manages to be quite an entertaining parody of the sci-fi films. As with Mel Brooks the jokes come quick and in the case of all spoof films always keep an eye on the background, highly recommended if you fancy a sci-fi parody.

7. Scary Movie (2000)

1The modern slasher horror movies were coming thick and fast, imitation after imitation some audiences still kept going, that was until in 2000 when The Wayans family stepped up and released an outrageous and brilliant parody of horror films and similar blockbusters around that time, a brilliant satire that spawned a mixed spoof horror series, with number six over the horizon, what was once a fun satire comic series has become an abysmal array of pointless gags and failed jokes.

An honourable mention to Scary Movie 3, what I believe to be the best in the series, but the first one really paved the way of this horror spoof franchise.

 

8. Hot Shots (1991)

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Jim Abrahams was on hand once again to bring a Top Gun filled spoof, Charlie Sheen does very well as the “serious” actor in this hilarity filled film, as with any spoof film, the jokes are smart and hysterical, the sequel itself doesn’t come close to the first but a great effort, for those who haven’t seen Hot Shots, I recommend watching Top Gun first with Hot Shots straight after, Overall comically decent.

9. Shaun of the Dead (2004)

shaun-of-the-deadAt the time of Scary Movie, and zombie flicks came an absolute brilliant parody of the horror genre, it really feels like a romantic comedy set amongst the backdrop of a zombie apocalypse, brilliant chemistry from the cast makes this an entertaining film with great comedy and drama aswell, the balance of those too is shown greatly. Edgar Wright’s best film, one of the best horror zombie spoofs made.

10. Young Frankenstein (1974)

yfBefore the time of Abrahams and Zucker, there was Mel Brooks who I believe started the modern movement of the Spoof comedy, his tribute of the Frankenstein films of the 40’s is done with such detail and comic accuracy this has become one of the first spoof classics and back then had audiences in pieces, a highly recommended comedy, the first comedy spoof of its kind, outstanding.

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5 Underrated Films You Must Watch

Below is a list of films you may or may not have watched that some people including myself have deemed them to be underrated but are equally watchable and brilliant.

1. Interstate 60 (2002)

600A majestic film that has to do with existence and our purpose in the world, you may recognize certain stars in this film including Gary Oldman playing the “genie” guidance role, A fascinating and thought provoking film that is recommended for repeat viewing, the music throughout accompanies the movie perfectly and the flow is also brilliant as well as inspiring, highly recommended.

2. The Party (1968)

the20partyOne of the funniest films ever made, hilarity ensues when Peter Sellers playing a famous Indian actor gets invited by accident to a lavish Hollywood party, the pace of the film is terrific and you cannot help but laugh at the limited but outstanding scenarios in one space, make the comedies of nowadays seem small in comparison to this film, and if there was a remake it wouldn’t come close, an extraordinarily funny feature.

3. Equilibrium (2002)

equilibrium-2Christian Bale stars in what is perhaps one of the most action filled and carefully planned films of all time. Kurt Wimmer’s film set in the distant future where all forms of feeling are illegal, Christian Bale who is a man in charge of enforcing the law rises to overthrow the system in absolutely spectacular fashion. The gunfight scenes are some of the greatest since “The Matrix”, one to see purely for the combat and “1984” style plot.

4. Kiss Kiss Bang Bang (2005)

Basic CMYKAn ultra-cool mystery crime caper starring Val Kilmer & Robert Downey Jr in what I believe is the movie that helped relaunch his career, fantastically written by Shane Black who also directed and wrote the new Iron Man film, Kiss Kiss Bang Bang is a modern noir which brings mutually together a private eye, a struggling actress, and a thief imitating an actor. Smart as well as funny, it is an entertaining film purely to watch for the chemistry of Kilmer and Downey Jr as well as for the performances, slick, clever & well-acted.

5. What Dreams May Come (1998)

what-dreams-may-comeA deeply engrossing and vision of a film it tells the story of Robin Williams who dies in a car accident (shown in trailer) link here: http://www.youtube.com/watch?v=RmZ-FuBThuQ

Not aware that he is dead his vision of the afterlife is that of his wife paintings, the film shows the undying bond between a man and his wife and how an individual envisions the afterlife. Extremely visionary to say the least, Robin Williams gives a great performance and the scenery depicted in the film is certainly not too bad either, a must watch.

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10 Foreign Films that Hollywood should stay clear of and not remake

Below are a list of films that thrived in their chosen country of release, Hollywood recently has ran out of ideas for original films and instead they have either expanded the superhero genre or recycled the same Disney analogy over and over.

The following films should remain untouched by Hollywood or if they are to be remade should be remade correctly and stay true to the craft of the original film, Notable mentions that were made well include “The Girl with the Dragon Tattoo”  “The Departed” (Infernal Affairs), “Insomnia”, “Vanilla Sky”..

Here are the great ten that should not be remade:

1.    “Hodejegerne” Headhunters (2011)  Country of origin: Norway

headhhdAn intense action thriller featuring Nikolaj Coster-Waldau (Jamie Lannister from Game of Thrones), it follows a skilled head-hunter who also acts as a thief stealing valuable pieces of art, but when one heist goes wrong he is hunted by a former mercenary in what becomes a thrilling cat & mouse game. If there is an American adaption it shouldn’t steer away from the original storyline but stay true to the action brilliance of this film.

2. “Cidade de Deus” City of God (2002) Country of origin: Brazil

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This masterpiece from Brazil follows the lives of teenagers who grow up in a violent neighbourhood of Rio De Janeiro, what ensues in their coming years is some of the most intense scenarios ever, beautifully shot, this film should remain timeless as it is, I know most of you agree but there is a little curiosity if there is to be a remake, there certainly has been similar films like this but a direct remake should remain off the cards,A masterpiece of modern filmmaking.

3. “Kung-Fu Hustle” (2004) Country of origin: China & Hong Kong

kung-fu-sokagi-izleFeaturing some of the most outlandish and exciting fight sequences, this outrageously entertaining film from Stephen Chow showcases gangsters at wars with residents of small housing complex, highly fantastic, this is one that should remain untouched and if you haven’t seen it already I highly recommend.

4.Amelie” (2001) Country of origin: France

le-fabuleux-destin-d-amelie-poulain-originalIf you have seen Amelie you can argue that this film cannot be remade into any other language, and a Hollywood version should no way be in contention, this brilliant film should remain untouched, it is unique in its own form and an American version should no way be even considered.

5.“Shichinin no samurai” “Seven Samurai” (1954) Country of origin: Japan

Film_2w_SevenSamuraiAlthough a remake has been green lit for next year, it is a very bad move on Hollywood’s part, a sort of remake was made as a western “The Magnificent Seven” but a direct remake should not even be contemplated, considered to be director Akira Kurosawa’s greatest work, if a remake should be made, it should be a tribute and instead of adapting to Hollywood, notable Japanese directors should take the helm if they wish to touch a significant film such as this one.

6.La Haine” (1995) Country of origin: France

la_haine_3Quite possibly one of the most intense French films ever made, it stars a young Vincent Cassel as a youth along with two others that explore Paris in 24 hours, it takes place in riots between citizens and the police. With more recent events taking place around the world, it is easy to see why Hollywood would want to remake this, jumping at the opportunity to adapt it in the modern times during the escalating protests taking place around the world; the whole film takes place in black & white but set during the present time, this does not take away the pure intensity, a classic that has to be seen and felt.

7.“El secreto de sus ojos” “The Secrets in their Eyes” (2009) Country of origin: Argentina

The-Secret-in-Their-Eyes--006A mystery thriller which takes over a number of years in which a detective goes back to solve an unresolved case which brings to light more than he could have anticipated, beautifully shot with an air of mystery & suspense, it would be easy to see why Hollywood would want to tackle a challenge like this one, if done right this could be a great crime remake, the main focus throughout the film are the eyes of each character along with the incredible detail of its brilliant plot.

8. “Ichi The Killer” (2001) Country of origin: Japan

ichi_killer_poster_05[1]Now here is a film that I know for a fact that Hollywood would not even touch due to its extreme graphic nature, Hollywood at best would cut most of the scenes in this brilliant film to even gain an R-Rating (18 UK).

For those who have seen it time and time again, you can argue that you don’t even wish for this film to be remade and also would argue how Hollywood would even tackle this project, Anything outside of United States does not even care if their films are not marketed extensively, some purely rely on word of mouth to reach its cult status, Ichi the Killer is such of a film that has no chance of an English remake.

9.Metropolis” (1927) Country of origin: Germany

metropolis1This sci-fi masterpiece was an absolute landmark when it was released even looking back at it now the pure futuristic setting is one to behold, a massive challenge that was undertaken by Fritz Lang, it would be ridiculous to consider a remake of it because one would take away its significance and would not look modern at all, a Japanese animation of Metropolis was released in 2001 but Hollywood should not go for a remake due to its original importance nearly 90 years ago, a ground-breaking achievement.

10. “Akira” (1988) Country of origin: Japan

Akira-Poster-akira-13827694-1013-1500One of the most important anime films of all time, a lot would argue that this film should not even come close to a Hollywood remake, its sheer complexity in animation should reinforce it as such, some of the scenes witnessed in this film is fantastic to the spectator, although studios have been trying hard to adapt into a live action film, time and time again it has been shut down, maybe even for the greater good, but it is not long before we do see a Hollywood remake whether we like to or not, I for one would not want to.

The enormous size of such of these films should be handled with care, and a remake must stay honest to its originality, in order to do so, studios must take on creative consultants of the original films and they must try their absolute best not to steer far away from their fundamental narrative only then a remake is worthy of the film’s tribute.

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Feel free to add your own suggestions below along with any comments you might have.

Man of Steel A short review

Below is a spoiler free review of Man of Steel, feel free to read as no major details have been included, enjoy.

With almost a couple of years after it was announced, Zack Snyder along with a colossal trio of names being Christopher Nolan as producer, Hans Zimmer as composer and David S. Goyer as the writer, all these people cultivated to bring a marvellous reboot on the screen.

Christopher-Nolan-and-Zack-Snyder-on-the-set-of-Man-of-Steel-2013-Movie-ImageSafe to say that Superman is DC’s most valuable asset along with Batman in terms of fame, watching this spectacle was hypnotic at times, Zack Snyder was faced with nearly a challenging task since this franchise has not been made right since the first two Superman films back in the seventies and eighties featuring the late great Christopher Reeve.

There are shades of Nolan in the flashback sequences as Nolan had done previously to most of his films, this allows for a descriptive and thorough overall outlook on what has made Kal-El the person he is today and the individual he will become in the future.

man-steel-movieThe film is extremely visual in terms of its detailed action sequences, there are a few scenes when you are in awe of what is shown on screen, and the 3D certainly helps, the plot flows quite well too, although slow at times it makes up for it for its monstrous fight scenes, with at the same time being quite clever too with how the characters use the environment around them to wreck ultimate destruction.

The actors on the screen portrayed their roles quite well and good chemistry was formed between them, the presence of Nolan & Snyder may have helped this result, Michael Shannon actor of “Boardwalk Empire” played as General Zod, which for me was the scene stealer, he was both terrifying and commanding, striking fear to those who dared opposed him.

man_of_steel_14Clark Kent’s parents played quite well with Kevin Costner and Diane Lane, they showed his human side and helped Clark adapt to the planet around him, Russel Crowe as the biological father showed strength too when he sent his little boy to planet Earth and he well and truly knew that his little son would be Earth’s ultimate saviour one day. In a way both sets of parents gave Clark strength and belief to make him the man he would become.

Zack Snyder did a fine job with all the pressure he had to work with in making a fine 21st century reboot of Superman, with Nolan by his side, they have created a fantastic appetizer of what is yet to come by DC’s greatest ever superhero, we cannot wait for what’s in store and what the franchise will bring, if it is anything like its predecessor then we are in for a phenomenal exuberant feature,a superb action packed filled visual feast.

mos_glyph_hiresA full more detailed review of the film coming soon..

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Die Hard,Harder,Hardest Where it went wrong for the Die Hard Franchise and how it can be improved

First of all I wish to state that I do not hate the Die Hard franchise I consider them to be a worthy action series but with the ever changing landscape of friendly action films from Hollywood what was once hailed one of the most action packed and gritty action films has become a shortened down version in terms of duration and content.

With the first Die Hard we witnessed John McClane in a fantastic action packed film for the ages that in a way worked like a video game, going up a different floor where the bad guys become more in quantity and strength, tougher to defeat before the semi-final boss fight on the roof and the intense finale of Hans Gruber’s demise in the end.

die_hard_ver2I can honestly say the first Die Hard film rates as one of my all-time favourite action films, not only did it have the explosions and the ultimate hero but it had a plot that drove it towards that. With a strong rating of 18 (Rated R) it lived up to that but it was fantastically entertaining and gritty, the best in the series.

Commencing from that, the second instalment Die Hard 2 also a strong 15 rating this too was equally entertaining and had some worthy bad guys’ as well. This like the first film was also set around Christmas time and spared no punches at the action including a blockbuster finale sequence at the end with McClane vs The Villains plane, proving again he’s a one man army.

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The third film in the series I found out to be the most modern action of the bunch and also pitting McClane with a fantastic villain in Simon Gruber played by the brilliant Jeremy Irons, and if that wasn’t enough McClane had a partner to work with in this Samuel L. Jackson, having previously worked together on Pulp Fiction, they were put together as a team in order to track down Simon who had put bombs around New York and the one man with the goal of stopping him was once again McClane, this was also a great film of the series and very stylishly made.

die-hard-with-a-vengeance-original Twelve years later was quite a long time to wait for a Die Hard film and this is where the series took a slight turn, Die Hard 4 or Live Free or Die Hard or Die Hard 4.0 whichever way you wish to see it, was quite entertaining but with a rating of 12A (PG-13) it did not have the violence or bad language (e.g Yippee ki-yay, motherfu…!) it had John McClane pitted in the modern era now where the bad guys weapon was a means of manipulation of technology, this was a fun film to watch but it had lacked the rawness of the previous three and set up what the series would look like in years to come with future releases.

live-free-or-die-hard-posterWhich bring us to the latest film of the action franchise Die Hard 5 (A Good Day to Die Hard) which introduces us to McClane’s son and them teaming up together, the film had been given a 12A rating but the action was still present, it may have seemed over the top in most instances, but it just shows the comparison if you compare the latest Die Hard to the first one, this is also the shortest film in the series at a mere 98 minutes, whereas the previous ones had gone just over the two hour mark.

A_Good_Day_to_Die_Hard_30With the next film out most probably next year it is hard to see how it will live up to the standards of the first three films, the last two films heralded a new era for the Die Hard franchise, but one thing that is common is the protagonist John McClane he still remains the only great thing about this franchise, with the emergence of a safe Hollywood action era we wonder when the next time will be when will see a gritty all out action frenzy version of Die Hard as witnessed in the first three going over a little on the fourth instalment.

I highly doubt that Hollywood would produce a Die Hard with a rating of over 15 (PG-13)  but the focus should be more on the villains and what a massive threat they can offer to the indestructible McClane rather than the most over the top action sequence.

We can allow the first three films this because they were unpredictable and truly applied a well-balanced formula of a brilliantly driven action plot film, we await what Die Hard 6: Die Hardest will bring, and a note to the director, study the first three films of the series carefully and bring back the true action nature of what makes the Die Hard franchise rightly something to behold, and to anyone who hasn’t seen any of the films I highly recommend seeing them and comparing the jump of style between the 3rd one and beyond. Let’s hope the 6th film in the series will bring back the rawness of the first three, as for John McClane there can be no wrong as he finds creative new ways to destroy the bad guys and with his notable and iconic catchphrase too.

 

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